Archive for Angele Ellis

12/16 Holiday Book Sale Redux @ Irma Freeman Center for Imagination

Posted in Events, New Releases with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 10, 2017 by 6GPress

12-5PM SATURDAY…

Join us for a SECOND CHANCE to browse great books from Pittsburgh authors, publishers, and booksellers.

SATURDAY, December 16th
12-5pm
Irma Freeman Center for the Imagination
5006 Penn Avenue
Penn Avenue Arts District
Free admission
Street parking

Confirmed vendors so far:

Air & Nothingness Press
Hyacinth Girl Press
Lilliput Review
Karen’s Book Row–with many books from Pittsburgh publishers!
Six Gallery Press
Authors signing books!

I’ll be sharing a table w/ Don Wentworth at this, so visit us for all your Six Gallery Press & Lilliput Review needs. Pictured are Manual for Wayward Angels by Jessica Fenlon, the Low Ghost love poem anthology Unconditional Surrender, & Muskrat Friday Dinner by Scott Silsbe, three great books from 2017 (I’ve at least skimmed the other ones & strongly suspect they’re also pretty good). The latest Six Gallery titles Viva Arletty! by Mark Spitzer & Arkansas Ghoulash by Scotty Lewis, Manchild by Alan Olifson, & Under the Kaufmann’s Clock by Angele Ellis w/ photos by Rebecca Clever, will be available too, along w/ selections from the vast back catalog by Chuck Kinder, Elwin Cotman, Jason Baldinger, John Grochalski, Ally Malinenko, & Victor Navarro.

 

12/17 Viva Arletty! & Arkansas Ghoulash launch @ White Whale + Bah Humbug 4 @ Brillobox

Posted in Events, Interviews, New Releases with tags , , , , , , , , , , , , , , , , , , , , on December 7, 2017 by 6GPress

SUNDAY, DECEMBER 17…

Two new books & two readings! The Ghost of Literature Present will pay a terrifying visit today!

6PM at White Whale in Bloomfield, welcome two writers from Arkansas to Pittsburgh (& welcome their books to your noodle by buying & reading them, too). Free readings & refreshments, possibly including actual goulash.

Scotty Lewis, a 2015 graduate of the Arkansas Writers MFA Program, is debuting his first book of poetry, Arkansas Ghoulash.

Here’s an interview w/ Scotty talking about the book, & here’s another one.

Mark Spitzer, novelist, poet, essayist and literary translator, grew up in Minneapolis where he earned his Bachelor’s degree at the University of Minnesota in 1990. He then moved to the Rockies, where he earned his Master’s in Creative Writing from the University of Colorado. After living on the road for some time, he found himself in Paris, as Writer in Residence for three years at the bohemian bookstore Shakespeare and Company, where he translated French criminals and misanthropes. In 1997 he moved to Louisiana, became Assistant Editor of the legendary lit journal Exquisite Corpse, and earned an MFA from Louisiana State University. He taught creative writing and lit for five years at Truman State University and is now an associate professor of creative writing at the University of Central Arkansas.

Alan Olifson is an award-winning humor columnist, public radio commentator, comedian and regular host of Pittsburgh’s monthly Moth StorySLAMs. He created the acclaimed storytelling series WordPlay in his hometown of Los Angeles which he now produces in Pittsburgh along with Bricolage Production Company as part of their regular season. He’s hosted storytelling events for conferences, schools and, believe it or not, bridal showers. His book, Manchild: My Life Without Adult Supervision, is now out on Six Gallery Press. Alan relocated to Pittsburgh with his wife and two children years ago but never tires of hearing people complain about “traffic.”

Angele Ellis is the author of Arab on Radar (Six Gallery), Spared (A Main Street Rag Editors’ Choice Chapbook), Under the Kaufmann’s Clock: Fiction, Poems, and Photographs of Pittsburgh with photos by Rebecca Clever (Six Gallery), and co-author of the diversity workbook Dealing With Differences (Corwin). A 2008 recipient of an Individual Creative Artist fellowship in poetry from the Pennsylvania Council on the Arts, she was a prizewinner in the 2007 RAWI Competition for Creative Prose and first runner-up in the 2012 Grey Sparrow Flash Fiction Contest. Angele’s reviews, poetry, and fiction have appeared in nearly sixty publications and fourteen anthologies. She is a contributing editor to Al Jadid Magazine.

John Thomas Menesini is the author of The Last Great Glass Meat Million (Six Gallery Press, 2003), e pit ap h (Convergence, 2007), endo: Poems & Sketches 2007 – 2011 (Six Gallery Press, 2011), and Gloom Hearts & Opioids (Six Gallery Press, 2015). His poems have appeared in numerous publications in Ireland, Scotland, England, and the US, thus garnering dozens of fans across the globe.

Rick Claypool grew up in a small town in western Pennsylvania called Leechburg, but he currently lives in Pittsburgh. By day he works for Public Citizen, a nonprofit organization that fights corporate power. Leech Girl Lives (Spaceboy Books, 2017) is his first novel.

At 8PM, head over to Brillobox for Bah Humbug 4: Writers (Still) Wrestle the Holiday Spirit…

Tastier than a fruitcake, easier to assemble than a Fisher Price playhouse, for the FOURTH year in a row, we are bringing some of Pittsburgh’s finest writers together to entertain you with tales of their holiday work experiences.

$5 suggested donation, proceeds benefit the Greater Pittsburgh Community Food Bank.

The readers will channel their inner-Sedaris, and offer up tales from their time as food service employees, retail workers, and other assorted time-card punchers during the bleak months of November and December. They will attempt to locate their hoilday spirit. Or THE holiday spirits (aka, Jim, Jack and maybe even Johnny).

Just like signing the group birthday card or buying overpriced crap from your co-worker’s kid’s school fundraiser, UGLY HOLIDAY SWEATERS STRONGLY ENCOURAGED.

Hosted by Jason Baldinger (who was once run over by a Black Friday crowd on a rampage for office supplies), and Stephanie Brea (who probably stole that art book she gave you for Christmas in 2001).

The Lineup:

Becky Corrigan
Angele Ellis
Rich Gegick
Lori Jakiela
Andrea Laurion
Deesha Philyaw
Meghan Tutolo
Matt Ussia
Bob Walicki

11/9 Nasty Women & Bad Hombres Book Release Party feat. Angele Ellis & Don Wentworth @ Tiki Lounge

Posted in Events, Recent Publications with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 5, 2017 by 6GPress

7PM TONIGHT…

Join us in the highly anticipated Book Release celebration of Nasty Women & Bad Hombres: A Poetry Anthology, featuring 92 poets from across the U.S. responding to the first year of Trumpiness. This free event features 20 poets! Join us on Thursday, November 9, 2017 at 7pm at South Side’s literary mecca, the Tiki Lounge (2003 East Carson St., 15203). Can’t make it? Books will be available via Amazon and fine local bookstores. Special book price for the evening is $15 – though the event is free.
Nasty Women & Bad Hombres was edited by Deena November and Nina Padolf, and published by Lascaux Editions (Bob Ziller, Editor) cover by Vanessa German.

Reading lineup includes:

Susan Truxell Sauter
Jan Beatty
Sheena Carroll
Lainey Carslaw
Christine Telfer
Angele Ellis
Cameron Barnett
Don Wentworth
Justin Vicari
Joan Bauer
Kayla Sargeson
Ellen Mcgrath Smith
Bri Griffith
Bob Walicki
Angela Gaito-Lagnese
John Stupp
Daniel Shapiro
John Lawson
Kathleen Furbee
Sarah Williams-Devereux
Ann Curran
Madalyn Hochendoner
Leslie McIlroy

More details to be announced…

When The Wizard of Oz Breaks Out into a Gun Battle: An Interview with Scotty Lewis, Author of Arkansas Ghoulash

Posted in Events, Interviews, New Releases with tags , , , , , , , , , , , , , on October 28, 2017 by 6GPress

Mark Spitzer says,

Hey, my grad students in poetry just did a kick-ass interview with Scotty on his book.

& here it is. Mark & Scotty will read from their new books Sunday, December 17th at White Whale Bookstore in Bloomfield, along with locals Alan Olifson, Angele Ellis, John Menesini, & Rick Claypool.

When The Wizard of Oz Breaks Out into a Gun Battle:

An Interview with Scotty Lewis, Author of Arkansas Ghoulash

By Drew Cook, Énbarr Coleman, Callie Smith, Briget Laskowski, JJ McNiece, and Mikayla Davis

 

Scotty Lewis, a lecturer in Writing at the University of Central Arkansas, was recently featured at the Faulkner County Library in Conway for a “Debut-Break-Out-Book-Readin-Book-Signin Bonanza.” Hot off the press from Six Gallery Press in Pittsburgh, Arkansas Ghoulash is his first book, and it wasn’t an easy story to tell. On one hand, the narrative revolves around a tragic act of domestic violence; but on the other, it is a daring and complex epic poem in the postmodern tradition that relies on lyrical flashes from a highly unnatural “natural state.” After a dramatic reading that blew his audience away, Lewis responded to questions—an opportunity that graduate students in Creative Writing from the Arkansas Writers MFA Workshop conveniently exploited:

Drew Cook: One of things you do in Arkansas Ghoulash is you take established forms and then you kind of collage them together so they’re not visually recognizable and all that’s left is the music. It’s really a high Modernist approach. I’m interested in how you arrived at that strategy, and if there were any difficulties and advantages in doing so.

Scotty Lewis: There are a lot of things that make poetry good or bad but one of the key things is music. Do I like improvisation? Of course. We like jazz but we also like form. The best improvisation realizes that there’s form, and it breaks it. The best improvisation realizes form. In a way this caused major difficulties because I might have preferred a straight narrative, but I don’t know if it would have worked that way. Emotionally, it was hard for me to do even as abstract as it is. If I turned this into a very straightforward story, I don’t know that I could have done it. Playing with the music of it, playing with the feeling of it, being able to be lyrical in different ways… it helped me capture the feel of it.

Énbarr Coleman: What stuck out most to me was the mention of the Berlin Wall because I noticed that you had a lot of these violent images, a lot of nature, and also soft and gentle stuff. Then suddenly you’ve got the Berlin Wall and things of that nature thrown in. In my opinion, it went from this very local poem to much grander, much more international. I was curious to hear your thoughts on that.

Lewis: There were several markers. The Berlin Wall is in there. Tiananmen Square is in there. There are a few big events of the time that were in there. If you go through the book, there are about seven or eight of those in there. Part of those are to mark time. This is the era that we’re talking about. This is the time we’re talking about. This poem jumps around a lot. Even tonight—and I didn’t want to stop and indicate necessarily because it would have broken up the rhythm of it—but there are places in the part I read tonight that weren’t necessarily sticking to one timeline. Those markers were put in there to anchor the reader in a certain time. They were also in there not only to give a sense of the violence that was taking place and erupting in my household, but also that was erupting around the world. The two things may not be related really, but they seem related. I mean, I grew up in the 1980s, so I certainly didn’t grow up with a cell phone, but I did grow up with a television. I did grow up with a Commodore 64. I grew up with enough technology to always be in touch with what was going on in the world. So I don’t think there is such a thing as living a completely local life anymore.

Callie Smith: The epic form of Arkansas Ghoulash is unusual in contemporary poetry—you don’t see that much. How did you decide on writing in this epic form? What were the challenges and what did it buy you?

Lewis: That’s such an interesting question. While it is the length of an epic, I think I really fell short on a lot of the other elements, but I did sort of want to include some aspects of the epic while writing it. I do think, in a sense, there is a journey to the underworld and an attempt, at least, to come back. So what inspired me to do that? I don’t know, but my favorite epic poem is The Odyssey, which I refer to in the poem. And I knew I wasn’t going to be able to do it in short form. I didn’t want to do it as necessarily sixty poems about the same event. I thought it needed space to grow . . . But I was also keeping a lot of different forms in mind. Within the text, there are places where sonnets, blank verse, where American haiku is hidden—where a lot of smaller forms are actually talking back and forth to each other.

JJ McNiece: I felt a hyperpolarization with your imagery as you read. On one end: brutal, severe violence. On the other: soft, sweet calm. It seemed that the beginning displayed more of the brutal imagery, while the images during the violent event itself were often softer, though interspersed with the brutal. At the end, I felt the imagery gravitated almost exclusively toward that sweet, softer side. I’m curious what your conscious decisions are with imagery and language as you’re going through this? What are you trying to accomplish?

Lewis: I was trying to accomplish a balance. If this is going to be genuine, I don’t think I can gloss over the violence. This was a very violent incident. So, even the things surrounding it, even the consciousness of the narrator while he looks into other things—simple things—notices violence more, even in the landscape. I hope, too, that there are softer parts. I don’t know that I made a conscious decision to polarize those things, but both exist. Do I decide to make softer images? I do, but I don’t know that I think about it that much. I try to make a pretty image now and then. I like to make images. I think it’s a stronger suit of my poetry.

Briget Laskowski: My question deals with images, particularly the images you have on page 63 and 64 where you use the Tin Man image. In fact you even take his words, “Just because I’m presumin’ / That I could be a human / If I only had a heart,” and then on page 64 you have Mickey Mouse, Goofy, and Donald Duck. What were you attempting to communicate using these images?

Lewis: Those were domestic images. I wanted to make sure people understood what those images were about. It was very close, very in the home. It was The Wizard of Oz breaking out into a gunfight. It was Loony Tunes in a certain sense. I was fifteen years old. I was really just crawling into adolescence . . . I felt like a child. So I wanted to make sure that things we associated with children like Mickey Mouse and The Wizard of Oz were there. Another reason for The Wizard of Oz specifically, was the year this happened my brother was extremely talented, very handsome, and he was beginning his acting career, and his acting career launched off partially from his acting in plays at our school. Probably his biggest role was as the Tin Man in The Wizard of Oz. Actually, in the yearbook for the next year there was a full page spread of my brother as the Tin Man.

Mikayla Davis: Many of your poems use natural imagery juxtaposed with very human, sometimes even mechanical imagery, so I was wondering what purpose you see that relationship playing in your poems? And what is humanity’s position in relationship with nature, for you?

Lewis: I think we’re way past being romantics about it. I think that would be disingenuous. I think that would be a lie. I love nature. I love going out. I love to fish, I love to hike. Those of you who know me know I love to be outside, but I always see it diminishing. I don’t really see our efforts to fight it as being very good or even very genuine. I mean, we’re part of nature, right? And so anything we see, if there are mechanical images mixed in with the natural—what we make is as much a part of nature as an ant making an anthill or beaver making a beaver dam. It might be more complicated in the way we do it, but we’re part of nature. We’re just one of those things in nature that really knows how to screw things up. We’re like termites. We’re going to keep eating at the tree until we kill it.

10/26 Nancy Chen Long, Bob Walicki, & Angele Ellis @ City of Asylum

Posted in Events with tags , , , , , on September 28, 2017 by 6GPress

8PM THURSDAY, OCTOBER 26…

Join us for a poetry reading exploring themes of cultural and class identity.

The fluid nature of identity as it changes through time as well as through familial and societal influences,” as Indiana poet Nancy Chen Long defines her work, is a common thread linking her to Pittsburgh poets Angele Ellis and Robert Walicki. Chen Long—an engineer and the immigrant daughter of a Taiwanese mother and American father, Ellis—the activist grandchild of Arab immigrants, and Walicki—whose day job as a plumber brings him into direct conflict with common notions of masculinity, add new and brilliant strands to the tapestry of American poetry.

Featured writers:

Nancy Chen Long was born in Taipei to a Taiwanese mother and an American father, and came to the U.S. at age six. A 2017 National Endowment of the Arts Creative Writing fellow, her first book, Light into Bodies, won the 2016 Tampa Review Prize for Poetry. It touches on the fluid nature of identity as it changes through time as well as through familial and societal influences. Nancy has a bachelor’s degree in Electrical Engineering Technology, an MBA, and an MFA. She works in Research Technologies at Indiana University Her poetry has appeared in Ninth Letter, Crab Orchard Review, Zone 3, Briar Cliff Review, Alaska Quarterly Review, Not Like the Rest of Us: An Anthology of Contemporary Indiana Writers, and elsewhere

Robert Walicki is a native Pittsburgher who works as a plumber. His poetry chapbooks A Room Full of Trees (Red Bird, 2014) and The Almost Sound of Snow Falling (Night Ballet, 2016) reflect aspects of Pittsburgh’s rich working class history, and examine issues of personal and class identity. A Pushcart Prize and Best of the Net nominee, Robert’s poetry has appeared in Vox Populi, Stone Highway Review, The Kentucky Review, Red River Review, and elsewhere. The Almost Sound of Snow Falling was nominated to the 2016 list of books for Poets House, a 70,000-volume free library in New York City.

Angele Ellis is a longtime editor and activist whose first book of poems, Arab on Radar (Six Gallery, 2007), written from her perspective as an Arab American in the aftermath of 9/11, won an Individual Artist Fellowship from the Pennsylvania Council on the Arts. She also is author of Spared (A Main Street Rag Editors’ Choice Chapbook, 2011), and a tribute to her adopted city, Under the Kaufmann’s Clock: Fiction, Poems, and Photographs of Pittsburgh, with photos by Rebecca Clever (Six Gallery, 2016). Angele is co-author of Dealing With Differences (Corwin, 1997), an alternative curriculum named as a top multicultural classroom resource by The Christian Science Monitor, and is a contributing editor to Al Jadid: A Review & Record of Arab Culture and Arts.

9/12 Crafton Awake! Angele Ellis & Bob Walicki @ Crafton Library

Posted in Events with tags , , , , on August 31, 2017 by 6GPress

TUESDAY, SEPTEMBER 12…

Join Red Brick Poetry and The Crafton Library for our all new poetry reading series. There will be two published poets for each event, and a short time for Q&A with the authors afterward as well as a light refreshment. Join us as Crafton awakens to the power of poetry!

#CraftonAwake

Meet the poets for September:

Angele Ellis’s latest book is Under the Kaufmann’s Clock: Fiction, Poems, and Photographs of Pittsburgh, with photos by Rebecca Clever (Six Gallery Press). Angele also is the author of Spared (A Main Street Rag Editors’ Choice Chapbook) and Arab on Radar (Six Gallery), whose poems won her a fellowship from the Pennsylvania Council on the Arts.

Robert Walicki is the curator of Versify,a monthly literary reading series at The White Whale Bookstore.in Bloomfield. His work has appeared in The Kentucky Review, Red River Review and other journals.A Pushcart nominee, he currently has two chapbooks published: A Room Full of Trees (Red Bird Chapbooks, 2014) and The Almost Sound of Snow Falling (Night Ballet Press, 2015), which was nominated to the 2016 Poet’s House in New York.

4/29 Pittsburgh Poetry Review Issue 5 Release Party @ White Whale Books

Posted in Events with tags , , , , , , , , , , on April 27, 2017 by 6GPress

SATURDAY…

Come help us celebrate the release of Issue 5, with readings from Daniela Buccili, Ava C. Cipri, George David Clark, Angele Ellis, Mike Good, Kara Knickerbocker, Deena November, Zana Previti, and Vivian Wagner.

The event will begin with an informal social hour at 6 PM, with readings beginning promptly at 7. Beer, wine, and snacks will be provided. Copies and subscriptions of the Review will available for sale.

2/16 Manual for Wayward Angels launch @ Nine Stories

Posted in Events, New Releases with tags , , , , , , , , , on February 9, 2017 by 6GPress

7PM THIS THURSDAY…

Poetry reading to launch Manual for Wayward Angels, Jessica Fenlon’s second book of poetry on Pittsburgh’s Six Gallery Press.

[ 2/15 heartbreak ] Hello lovelies! I am too sick to travel but I do believe the rest of the show will happen without me! And with Nathan, the editor extraordinaire helming 6 Gallery Press, reading as well. ♥ I miss you terribly, was so looking forward to this trip. But – the show goes on!!! In my stead! ~ Jessica Fenlon

New media artist JESSICA FENLON calls Milwaukee, Wisconsin home. In her digital art, Ms. Fenlon often glitches or breaks images in her ongoing exploration of public memory, semiotic reference, and epistemology. In her poetry, she constructs narratives from distilled memory and everyday life in our spectacular, our panopticon.

JEN ASHBURN is the author of the full-length poetry collection The Light on the Wall (Main Street Rag, 2016). She has work published in Chiron Review, Grey Sparrow, The MacGuffin, the Pittsburgh Post-Gazette, Whiskey Island and other journals. She holds an MFA in creative writing from Chatham University, where she taught creative writing to inmates in the Allegheny County Jail through Chatham’s Words Without Walls program. Originally from southern Indiana, she spent four years in Japan and greater Asia, and now lives in Pittsburgh.

ANGELE ELLIS is author of UNDER THE KAUFMANN’s CLOCK (Six Gallery Press), a hybrid collection of poetry and flash fiction with photographs by Rebecca Clever, SPARED (A Main Street Rag Editors’ Choice Chapbook), and ARAB ON RADAR (Six Gallery), whose poems won an Individual Artist Fellowship from the Pennsylvania Council on the Arts. She lives in Friendship, where she sometimes sees the wings of former neighbors like Jessica Fenlon flashing in the skies.

KRISTOFER COLLINS is the books editor for Pittsburgh Magazine. He is the publisher of Low Ghost Press and co-director of The Bridge Series. He lives in Stanton Heights with his wife Dr. Anna Johnson and their two cats.

HANK MORRIS is a bum from way back. His poetry collection Anything Helps is forthcoming from Six Gallery Press.

1/21 Nasty Woman & Bad Hombre Reading & Fundraiser @ Staghorn Garden Cafe

Posted in Events with tags , , , , , , , , , , , , , , , , , , on January 19, 2017 by 6GPress

THIS SATURDAY…

Join us 4pm, Saturday, January 21st at Staghorn Garden Cafe (517 Greenfield Ave 15207) to help raise funds to donate to national and local organizations and listen to only a handful of the dynamite poets we will be publishing in our forthcoming Anthology titled, Nasty Woman & Bad Hombre!

Reading line up includes:
Angele Ellis
Cameron Barnett
Kayla Sargeson
Daniel Shapiro
Michael Albright
RB Becca Mertz
Sarah Williams-Devereux
John Stupp
Deena November
Nina Padolf
Ellen McGrath Smith
Bob Walicki
And more!

We are still accepting submissions (details below) as well as funds (link below) and donations to raffle off at this event (PM Deena November if you have an item or service you can contribute to our fundraising raffle).

Nasty Woman & Bad Hombre Anthology will be published by Lascaux Editions in the summer of 2017! This anthology seeks poetry, creative non-fiction essays, short stories and art that address reactions to the election. A gofundme page for publication/printing costs has been established. All proceeds will be donated to the ACLU, Planned Parenthood, Pittsburgh Women’s Shelter and The Art House in Homewood. Please send 1-3 poems or up to 5 pages prose and a brief bio to november@rmu.edu
Submission deadline now extended to February 17, 2017.

Donations: https://www.gofundme.com/nastywomanandbadhombreanthology

Meet Angele Ellis Under the Kaufmann’s Clock…

Posted in New Releases with tags , , , , , , , , on December 28, 2016 by 6GPress

and she will show you everything Pittsburgh—from Schenley Park Golf Course at midnight and an artists’ colony in Oakland to sunflowers growing in sandy Garfield dirt, the neon sign of a Carrick tanning salon, and Grandma Berta’s Polish Natrona—city landmarks and personal landscapes where love is lost and lives implode like Three Rivers Stadium. In Ellis’s book of poetry and prose, with evocative photographs by Rebecca Clever, is a beloved timepiece and a poet’s sure hand that strikes memory.

Paola CorsoThe Laundress Catches Her Breath and Catina’s Haircut: A Novel in Stories

This nifty new collab is coming in early 2017. Here’s the cover

utck-front-cover
& this poem from the Winter section

Polder
I wake with snow in my mouth and a word: polder.
All this time, I’ve been holding back the dike with one finger.
And still the sea keeps sending seeded storm clouds
to flood my land. In my dream, I was under the covers
with you. We were living in an artists’ colony in Oakland
summer. I was fitting the pieces together, a collage—
Audubon’s bird portfolio—but you kept putting
your hands under my shirt and saying, Come to bed.

It seemed as real as anything—the train whistle hooting
through stone-cold pillows, the mantle of white fur
I sweep from my sill, the sheeted illusion of love.

& another blurb.

Angele’s writing pulls me back to Pittsburgh and its nesting boxes of past-in-present. Organized by seasons, her poems and flash fiction hold the paradoxes of stillness against the constant evaporation of the present moment. Intimate texts are laced with the kind of detail that make fiction ring true. Ellis knows too how omission makes powerful poems of suicide, of violence and its consequences, of sex in the ‘ordinary life’. Side doors of dream unexpectedly slip open in Under the Kaufmann’s Clock. Let this work haunt you!

Jessica Fenlon, Spiritual Side Effects

Fenlon, I should fully disclose, also has a book coming out in 2017—a glitched-out poetry collection called Manual for Wayward Angels.

Happy New Year & stay tuned for launch details!

12/11 Bah Humbug: Writers (Still) Wrestle the Holiday Spirit @ Brillobox

Posted in Events with tags , , , , , , , , , , , , on December 9, 2016 by 6GPress

8PM THIS SUNDAY…

Tastier than a fruitcake, easier to assemble than a Fisher Price playhouse, we are bringing some of Pittsburgh’s finest writers together to entertain you with tales of their holiday work experiences.

*** Suggested $5 donation, with all proceeds going to the ACLU.

These folks will channel their inner-Sedaris, offering up tales from their time as food service employees, retail workers, and other assorted time-card punchers during the bleak months of November and December. They will attempt to locate their hoilday spirit. Or THE holiday spirits (aka, Jim, Jack and maybe even Johnny).

Just like signing the group birthday card or buying overpriced crap from your co-worker’s kid’s school fundraiser, UGLY HOLIDAY SWEATERS STRONGLY ENCOURAGED.

We are now in our THIRD year, which means we have lasted longer than those cheap discount outlet socks your mom puts in your Xmas stocking.

Hosted by Jason Baldinger (who was once run over by a Black Friday stampede on a rampage for office supplies), and Stephanie Brea (who probably stole that art book she gave you for Christmas in 2001)

The Lineup:

Ben Gwin
Lori Jakiela
Meghan Tutolo
Bob Walicki
Andrea Laurion
Angele Ellis
Rich Gegick
Bob Pajich
Matt Ussia