Don Wentworth sez,
I’ll be reading this coming Tuesday, July 30th, at 8 pm, at the Hemingway’s summer finale. The poets reading will try to put an exclamation point to what has been, arguably, the best season at Hem’s to date. My contribution will be 8 new haiku and 2 ghazals I have not read there before. Also a bonus free verse poem in which, seance-like, we will be attempting communication with Philip Larkin on the other side. Details below. Hope to see you there.The 2019 Hemingway’s Summer Poetry Series
Tuesday nights at 8 p.m. May-July
Hemingway’s Cafe, 3911 Forbes Avenue , Oakland
Founded by Jimmy Cvetic.
Co-hosted by Joan E. Bauer & Kristofer Collins
Open mic after featured readings as time permitsTuesday July 30 – The Grand Finale curated by Kristofer Collins. Jen Ashburn, Jason Baldinger, Deena November, Deesha Philyaw, Adriana Ramirez, Ellen McGrath Smith, Meghan Tutolo & Don Wentworth
Jen Ashburn is the author of The Light on the Wall (Main Street Rag, 2016) and has work published in numerous venues, including the podcast The Writer’s Almanac with Garrison Keillor. Her poem “Our Mother Drove Barefoot” was selected for the 2018 Public Poetry Project by the Pennsylvania Center for the Book and distributed on posters across the state. She holds an MFA from Chatham University , where she taught creative writing to women in the Allegheny County Jail through Chatham ’s Words Without Walls program. She’s currently working on her second full-length poetry collection, tentatively titled Our Own Thin Ways, and a memoir.
Jason Baldinger is a poet from Pittsburgh, Pennsylvania. A recent Writer in Residence and Osage Arts Community, he has three recent books, This Useless Beauty (Alien Buddha Press) and the split books The Ugly Side of the Lake with John Dorsey (Night Ballet Press) as well as Little Fires Hiding with James Benger (Kung Fu Treachery Press). His work has been published widely in print journals and online. You can listen to him read his work on Bandcamp on lps by the band Theremonster and The Gotobeds.
Deena November is the author of Mean Mama (Main Street Rag, 2017) She has edited two anthologies, Nasty Women & Bad Hombres (Lascaux Editions, 2017) and I Just Hope It’s Lethal (Houghton Mifflin, 2005). Her poetry has appeared in Nerve Cowboy, Chiron Review, Women Write Resistance, Keyhole Magazine, Mom Egg Review, Pittsburgh Poetry Review and The Pittsburgh Post-Gazette. Her chapbook Dick Wad was published by Hyacinth Girl Press in 2012. She holds an MFA in Poetry from Carlow University where she then taught in the English and Women’s Studies programs. Deena teaches Creative Writing, Literature and Communications at Robert Morris University. She curates the Staghorn Poetry Series. Deena enjoys strolling through the gardens of Phipps with her toddlers and baby.
Deesha Philyaw is a Pittsburgh-based writer. Her fiction and nonfiction writing on race, gender, sex and culture has appeared in The New York Times, The Washington Post, Brevity, The Cheat River Review, The Baltimore Review, dead housekeeping, Bitch, Apogee Journal, and other publications. She’s a Fellow at the Kimbilio Center for African American Fiction and a native Floridian.
Adriana E. Ramírez is a Mexican-Colombian writer, critic, and performance poet based in Pittsburgh . She won the inaugural PEN/Fusion Emerging Writers Prize in 2015 for her novella-length work of nonfiction, Dead Boys (Little A, 2016), and in 2016 she was named Critic at Large for the Los Angeles Times Book Section. Her essays and poems have also appeared in the Los Angeles Review of Books, Guernica/PEN America, Literary Hub, Convolution, HEArt, Apogee, and on Nerve.com. Once a nationally ranked slam poet, she cofounded the Pittsburgh Poetry Collective and continues to perform on stages around the country. She and novelist Angie Cruz founded Aster(ix) Journal, a literary journal giving voice to the censored and the marginalized. Her debut full-length work of nonfiction, The Violence, is forthcoming from Scribner.
Ellen McGrath Smith teaches at the University of Pittsburgh and in the Carlow University Madwomen in the Attic program. Her writing has appeared in The American Poetry Review, Los Angeles Review, Quiddity, Cimarron , and other journals, and in several anthologies, including Beauty Is a Verb: The New Poetry of Disability. Smith has been the recipient of an Orlando Prize, an Academy of American Poets award, a Rainmaker Award from Zone 3 magazine, and a 2007 Individual Artist grant from the Pennsylvania Council on the Arts. Her second chapbook, Scatter, Feed, was published by Seven Kitchens Press in the fall of 2014, and her book, Nobody’s Jackknife, was published in 2015 by the West End Press.
Meghan Tutolo is an artist and copywriter from Pittsburgh , PA. When she isn’t writing romance for olives and pasta or grading essays, she can be found cruising around on her pipsqueak motorcycle or holed up at home with her smoothy faced cats—writing and making things. Her poems have appeared in Rattle, Weave, Main Street Rag, Nerve Cowboy and Free State Review—among others. Her first chapbook, Little As Living, was published by Dancing Girl Press in 2014.
Don Wentworth’s work reflects his interest in the revelatory nature of brief, haiku-like moments in every day life. His poetry has appeared in Modern Haiku, bottle rockets, Frogpond, and Rolling Stone, as we l as a number of anthologies. He is the author of
three full-length poetry collections published by Six Gallery Press: Past All Traps (2011), Yield to the Willow (2014), and With a Deepening Presence (2016). Past All Traps was shortlisted for the Haiku Foundation’s 2011 Touchstone Distinguished Books Award. His poem “hiding” was selected as one of “100 Notable Haiku” of 2013 by Modern Haiku Press. Don has two new poetry books forthcoming: a collection of ghazals from Low Ghost and a collaborative collection of tanka written with the British haiku poet, Joy McCall. Since 1989, he has been the editor and publisher of Lilliput Review.Listen in @ www.hemingwayspoetryseries.blogspot.com (our audio archive)
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Six Gallery Press 