11/29 The Bridge Series w/ Sargeson, Gibson, & Griffith @ Brillobox

Posted in Events with tags , , , , , on November 13, 2017 by 6GPress

8PM WEDNESDAY, NOVEMBER 29…

The Bridge Series unites the Pittsburgh literary and activist communities to raise awareness and funds for local organizations fighting the good fight in these troubling times.

The series convenes the last Wednesday of each month at The Brillobox. Each installment will feature Pittsburgh’s finest writers and a special guest organization (with proceeds from the evening going directly to that organization).

$5 cover.

Tonight will feature readings from:

RJ Gibson holds an MFA in Poetry from the Program for Writers at Warren Wilson College. He is the author of the chapbooks Scavenge (co-winner of the 2009 Robin Becker Prize) and You Could Learn a Lot, both from Seven Kitchens Press. His work has appeared in Court Green, Waxwing, Columbia Poetry Review, Kenyon Review Online, the Cortland Review, OCHO, Waxwing and other journals. His work has been anthologized in My Diva: 65 Gay Men on the Women Who Inspire Them, Collective Brightness: LGBTIQ Poets on Faith, Religion & Spirituality, and Walk Til the Dogs Get Mean: Meditations on the Forbidden from Contemporary Appalachia. He lives and works in West Virginia.

Bri Griffith is an undergraduate Creative Writing student at Carlow University in Pittsburgh, PA, where she emcees the Red Dog Reading Series. A proud member of the Madwomen in the Attic, her poems have appeared or are forthcoming in ‘Pittsburgh Poetry Review,’ ‘ITWOW International Anthology,’ ‘Alien Mouth,’ ‘Rogue Agent,’ ‘Maudlin House,’ ‘Inside The Bell Jar,’ ‘Nasty Women & Bad Hombres Anthology,’ and elsewhere.

Kayla Sargeson is the author of the full-length collection First Red (Main Street Rag, 2016) and the chapbooks BLAZE (Main Street Rag, 2015) and Mini Love Gun (Main Street Rag, 2013). She co-directs the MadMentoring program and is the poetry editor for Pittsburgh City Paper’s online feature Chapter & Verse. She lives in Pittsburgh where she teaches at Duquesne University, Carlow University and the Community College of Allegheny County.

Our guest organization for the evening is She Runs SWPA.

She Runs SWPA aims to give a diverse set of women, especially women of color, the voice and representation that enables change in our political system by, (1) Exposing gender bias in the political system (2) uncovering issues that disproportionately affect women in Southwest, PA (3) convening resources that enable women to be involved, active citizens and (4) encouraging and enabling women to run for office.

Visit She Runs SWPA at http://sherunsswpa.com/

11/21 Bill Fox, Pond Hockey, & Smoking Tombs @ Brillobox

Posted in Events with tags , , , , , , , , , , on November 19, 2017 by 6GPress

TUESDAY…

Bill Fox is coming to Pittsburgh! Bill Fox fronted the legendary Cleveland band The Mice and has also released several excellent solo albums, including 1996’s ‘Shelter from the Smoke.’ Fellow Clevelanders Smoking Tombs are along for the ride and rounding out the night will be local weirdos Pond Hockey.
9pm, 21+, $5 cover

Reminder that Pond Hockey consists of literary luminaries Jason Baldinger, Mark Mangini, Bob Pajich, & Scott Silsbe, & that they fucking rock. Promotional imagery by the great Paulette Poullet.

11/9 Nasty Women & Bad Hombres Book Release Party feat. Angele Ellis & Don Wentworth @ Tiki Lounge

Posted in Events, Recent Publications with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 5, 2017 by 6GPress

7PM TONIGHT…

Join us in the highly anticipated Book Release celebration of Nasty Women & Bad Hombres: A Poetry Anthology, featuring 92 poets from across the U.S. responding to the first year of Trumpiness. This free event features 20 poets! Join us on Thursday, November 9, 2017 at 7pm at South Side’s literary mecca, the Tiki Lounge (2003 East Carson St., 15203). Can’t make it? Books will be available via Amazon and fine local bookstores. Special book price for the evening is $15 – though the event is free.
Nasty Women & Bad Hombres was edited by Deena November and Nina Padolf, and published by Lascaux Editions (Bob Ziller, Editor) cover by Vanessa German.

Reading lineup includes:

Susan Truxell Sauter
Jan Beatty
Sheena Carroll
Lainey Carslaw
Christine Telfer
Angele Ellis
Cameron Barnett
Don Wentworth
Justin Vicari
Joan Bauer
Kayla Sargeson
Ellen Mcgrath Smith
Bri Griffith
Bob Walicki
Angela Gaito-Lagnese
John Stupp
Daniel Shapiro
John Lawson
Kathleen Furbee
Sarah Williams-Devereux
Ann Curran
Madalyn Hochendoner
Leslie McIlroy

More details to be announced…

11/11 Borczon, Jakiela, Matcho, Garrison, & Pajich @ Nine Stories

Posted in Events with tags , , , , , , on November 4, 2017 by 6GPress

7PM TONIGHT, hosted by Scott Silsbe…

Another great reading at Nine Stories,
this one featuring
MATT BORCZON (in town from Erie, PA)
LORI JAKIELA
ADAM MATCHO
KURT GARRISON
& BOB PAJICH

Free, byob

11/12 November Uncloistered feat. Jason Baldinger & Scott Silsbe @ Calvino’s Restaurant and Wine Bar

Posted in Events with tags , , , , , , , , on October 30, 2017 by 6GPress

6PM SUNDAY, NOVEMBER 12…

Join us in November for our latest installment in the Uncloistered Poetry series.

Featured Readers:
Ajsha Reddick
Scott Silsbe
Jason Baldinger
Misty Khan-Becerra
Brooks Jermain Hardison

Open mic to follow featured readers. All are welcome to join us. Limited menu available. Coffee from Glass City Roasters available for free. Donations very gratefully accepted for Library Legacy Foundation.

 

 

 

11/3-4 WordPlay @ Bricolage Theater

Posted in Events with tags , , , , , , on October 29, 2017 by 6GPress

THIS FRIDAY & SATURDAY…

This hybrid storytelling sensation has been growing in popularity since its co-producer, Alan Olifson, brought it to Pittsburgh over 4 years ago. With its steadily growing audience and frequent media buzz, WordPlay has become a staple of Pittsburgh’s literary and theater scene.

Buy Tickets $25

The Breakdown

Happy Half-Hour: 7:30pm-8:00pm (free drinks!)

Come for WordPlay’s free Happy Half-Hour! You never know what surprises we’ll have in store, but they’ll always be original and interactive (don’t worry, participation is optional). Will you get the chance to record your own story in our “mini-studio” or a take part in an epic audience party game? You have to show up if you want to find out!

The Show: 8:00pm

With brazen honesty and creativity, actors, comedy writers, and everyday people read their own stories while our DJ spins a real-time soundtrack using anything from Brahms to Beyoncé. You’ll laugh, you’ll cry, and you’ll get an extremely intimate look into the life of a total stranger.

What is WordPlay and why is it so special?

It’s simply real people, sharing real stories with a real live soundtrack.

Please Note: WordPlay presents stories about real people in real situations. We value all true stories and showcase a range of experiences and adventures in our programming. Due to the real nature of our stories, WordPlay is not always suitable for very young people and sensitive listeners. Please be advised when considering attendance.

Accessibility

The Friday, November 3rd performance of WordPlay feature ASL interpretation by Heather Gray. Large print programs are available for both shows.

Bricolage’s space at 937 Liberty Avenue is designed for wheelchair access, featuring accessible all-gender restrooms and wheelchair seating. Companion seating is also available with advance notice. Bricolage is committed to providing an environment that is inclusive and welcoming to all patrons. We encourage patrons to identify any specific accommodations that would make their experience more enjoyable in the comments section when purchasing tickets or by calling their offices at 412.471.0999 or by emailing Fred at fred@webbricolage.org.

We are accepting submissions for Wordplay!

WordPlay stories don’t have a specific theme, but a good story is:
• True and about you.
• 1,500 to 2,000 words.
• A story!  Meaning, it has a beginning, middle, and end. There should be some conflict or tension in addition to scenes that move the action forward. Commentary and reflection on the story are also key.
• WordPlay loves funny stories and poignant stories and all combinations thereof. However, we try to steer clear of the maudlin and overly sentimental.

Stories are accepted on a rolling basis and should be sent to submissions@wordplayshow.com. We read all submissions and look forward to reading yours! Performers are paid a $100 stipend for 1 rehearsal and 2 performances in Pittsburgh.

Meet the Cast & Crew

  • Storytellers

    • Samantha Bennett
    • Joel Brady
    • Billy Jenkins
    • Alan Olifson
    • Deesha Philyaw
  • Creator & Co-producer

    • Alan Olifson

When The Wizard of Oz Breaks Out into a Gun Battle: An Interview with Scotty Lewis, Author of Arkansas Ghoulash

Posted in Events, Interviews, New Releases with tags , , , , , , , , , , , , , on October 28, 2017 by 6GPress

Mark Spitzer says,

Hey, my grad students in poetry just did a kick-ass interview with Scotty on his book.

& here it is. Mark & Scotty will read from their new books Sunday, December 17th at White Whale Bookstore in Bloomfield, along with locals Alan Olifson, Angele Ellis, John Menesini, & Rick Claypool.

When The Wizard of Oz Breaks Out into a Gun Battle:

An Interview with Scotty Lewis, Author of Arkansas Ghoulash

By Drew Cook, Énbarr Coleman, Callie Smith, Briget Laskowski, JJ McNiece, and Mikayla Davis

 

Scotty Lewis, a lecturer in Writing at the University of Central Arkansas, was recently featured at the Faulkner County Library in Conway for a “Debut-Break-Out-Book-Readin-Book-Signin Bonanza.” Hot off the press from Six Gallery Press in Pittsburgh, Arkansas Ghoulash is his first book, and it wasn’t an easy story to tell. On one hand, the narrative revolves around a tragic act of domestic violence; but on the other, it is a daring and complex epic poem in the postmodern tradition that relies on lyrical flashes from a highly unnatural “natural state.” After a dramatic reading that blew his audience away, Lewis responded to questions—an opportunity that graduate students in Creative Writing from the Arkansas Writers MFA Workshop conveniently exploited:

Drew Cook: One of things you do in Arkansas Ghoulash is you take established forms and then you kind of collage them together so they’re not visually recognizable and all that’s left is the music. It’s really a high Modernist approach. I’m interested in how you arrived at that strategy, and if there were any difficulties and advantages in doing so.

Scotty Lewis: There are a lot of things that make poetry good or bad but one of the key things is music. Do I like improvisation? Of course. We like jazz but we also like form. The best improvisation realizes that there’s form, and it breaks it. The best improvisation realizes form. In a way this caused major difficulties because I might have preferred a straight narrative, but I don’t know if it would have worked that way. Emotionally, it was hard for me to do even as abstract as it is. If I turned this into a very straightforward story, I don’t know that I could have done it. Playing with the music of it, playing with the feeling of it, being able to be lyrical in different ways… it helped me capture the feel of it.

Énbarr Coleman: What stuck out most to me was the mention of the Berlin Wall because I noticed that you had a lot of these violent images, a lot of nature, and also soft and gentle stuff. Then suddenly you’ve got the Berlin Wall and things of that nature thrown in. In my opinion, it went from this very local poem to much grander, much more international. I was curious to hear your thoughts on that.

Lewis: There were several markers. The Berlin Wall is in there. Tiananmen Square is in there. There are a few big events of the time that were in there. If you go through the book, there are about seven or eight of those in there. Part of those are to mark time. This is the era that we’re talking about. This is the time we’re talking about. This poem jumps around a lot. Even tonight—and I didn’t want to stop and indicate necessarily because it would have broken up the rhythm of it—but there are places in the part I read tonight that weren’t necessarily sticking to one timeline. Those markers were put in there to anchor the reader in a certain time. They were also in there not only to give a sense of the violence that was taking place and erupting in my household, but also that was erupting around the world. The two things may not be related really, but they seem related. I mean, I grew up in the 1980s, so I certainly didn’t grow up with a cell phone, but I did grow up with a television. I did grow up with a Commodore 64. I grew up with enough technology to always be in touch with what was going on in the world. So I don’t think there is such a thing as living a completely local life anymore.

Callie Smith: The epic form of Arkansas Ghoulash is unusual in contemporary poetry—you don’t see that much. How did you decide on writing in this epic form? What were the challenges and what did it buy you?

Lewis: That’s such an interesting question. While it is the length of an epic, I think I really fell short on a lot of the other elements, but I did sort of want to include some aspects of the epic while writing it. I do think, in a sense, there is a journey to the underworld and an attempt, at least, to come back. So what inspired me to do that? I don’t know, but my favorite epic poem is The Odyssey, which I refer to in the poem. And I knew I wasn’t going to be able to do it in short form. I didn’t want to do it as necessarily sixty poems about the same event. I thought it needed space to grow . . . But I was also keeping a lot of different forms in mind. Within the text, there are places where sonnets, blank verse, where American haiku is hidden—where a lot of smaller forms are actually talking back and forth to each other.

JJ McNiece: I felt a hyperpolarization with your imagery as you read. On one end: brutal, severe violence. On the other: soft, sweet calm. It seemed that the beginning displayed more of the brutal imagery, while the images during the violent event itself were often softer, though interspersed with the brutal. At the end, I felt the imagery gravitated almost exclusively toward that sweet, softer side. I’m curious what your conscious decisions are with imagery and language as you’re going through this? What are you trying to accomplish?

Lewis: I was trying to accomplish a balance. If this is going to be genuine, I don’t think I can gloss over the violence. This was a very violent incident. So, even the things surrounding it, even the consciousness of the narrator while he looks into other things—simple things—notices violence more, even in the landscape. I hope, too, that there are softer parts. I don’t know that I made a conscious decision to polarize those things, but both exist. Do I decide to make softer images? I do, but I don’t know that I think about it that much. I try to make a pretty image now and then. I like to make images. I think it’s a stronger suit of my poetry.

Briget Laskowski: My question deals with images, particularly the images you have on page 63 and 64 where you use the Tin Man image. In fact you even take his words, “Just because I’m presumin’ / That I could be a human / If I only had a heart,” and then on page 64 you have Mickey Mouse, Goofy, and Donald Duck. What were you attempting to communicate using these images?

Lewis: Those were domestic images. I wanted to make sure people understood what those images were about. It was very close, very in the home. It was The Wizard of Oz breaking out into a gunfight. It was Loony Tunes in a certain sense. I was fifteen years old. I was really just crawling into adolescence . . . I felt like a child. So I wanted to make sure that things we associated with children like Mickey Mouse and The Wizard of Oz were there. Another reason for The Wizard of Oz specifically, was the year this happened my brother was extremely talented, very handsome, and he was beginning his acting career, and his acting career launched off partially from his acting in plays at our school. Probably his biggest role was as the Tin Man in The Wizard of Oz. Actually, in the yearbook for the next year there was a full page spread of my brother as the Tin Man.

Mikayla Davis: Many of your poems use natural imagery juxtaposed with very human, sometimes even mechanical imagery, so I was wondering what purpose you see that relationship playing in your poems? And what is humanity’s position in relationship with nature, for you?

Lewis: I think we’re way past being romantics about it. I think that would be disingenuous. I think that would be a lie. I love nature. I love going out. I love to fish, I love to hike. Those of you who know me know I love to be outside, but I always see it diminishing. I don’t really see our efforts to fight it as being very good or even very genuine. I mean, we’re part of nature, right? And so anything we see, if there are mechanical images mixed in with the natural—what we make is as much a part of nature as an ant making an anthill or beaver making a beaver dam. It might be more complicated in the way we do it, but we’re part of nature. We’re just one of those things in nature that really knows how to screw things up. We’re like termites. We’re going to keep eating at the tree until we kill it.

10/28 Spooky Party! @ Copacetic Comics

Posted in Events with tags , , , , , , on October 24, 2017 by 6GPress

7PM SATURDAY…

Hold onto your hats, because from 7:00 to 9:00pm on the evening of Saturday, October 28, SPOOKY PARTY returns to Copacetic! On hand for this year’s party are: CMU alum, and globetrotting multidisciplinary artist, Juliacks, who is coming through town to celebrate the release of her category-defying work, The Architecture of an Atom, just released by 2dCloud; erstwhile Pittsburgh-resident, Blaise Larmee, who will likewise be premiering his new book, 2001, also from 2dCloud; the indefatigable Nate McDonough, who will – naturellement! – be premiering a new comics work; Dan McCloskey, who has returned to home base after a year of nearly non-stop traveling and adventure, just in time to finish up a short piece of comics that will premiere here; Nils Balls, who is, as we type, burning the midnight oil to get his latest project ready for the Spooky Party deadline; and… who knows who else might have a new comic to premiere? Be prepared!

10/25 The Bridge Series w/ Matcho, Brea, & Young @ Brillobox

Posted in Events with tags , , , , , , , on October 15, 2017 by 6GPress

8PM WEDNESDAY, OCTOBER 25…

The Bridge Series unites the Pittsburgh literary and activist communities to raise awareness and funds for local organizations fighting the good fight in these troubling times.

The series convenes the last Wednesday of each month at The Brillobox. Each installment will feature Pittsburgh’s finest writers and a special guest organization (with proceeds from the evening going directly to that organization).

$5 cover.

Tonight will feature readings from:

Adam Matcho was formerly employed as a gas station attendant, sandwich artist, novelty shop clerk, gold buyer, and obituary writer. Now, he tells people he is the poet laureate of Johnstown. His poems have been published in literary magazines and his books include: “The Novelty Essays” (WPA Press), “Six Dollars an Hour: Confessions of a Gemini Writer” (Liquid Paper Press) and “Love Songs From Flood City” (Low Ghost Press).

Stephanie Brea is a writer, teacher, and event organizer. She has 10+ years of experience facilitating creative writing workshops for local schools and non-profit organizations including Pittsburgh Public Schools, the Carnegie Museum of Natural History, Literary Arts Boom, The Warhol, Winchester Thurston, and Penn Trafford High School. Like most writers, she could list a bunch of places her work has been published, but who really reads those lists anyway? She is the co-founder of Pizza Poems PGH, which delivers hot, fresh poetry via pizza boxes for National Poetry Month in April.

Damon Young is the editor-in-chief of VSB. He is also a columnist for GQ.com And he’s working on a book of essays to be published by Ecco (HarperCollins). Damon is busy. He lives in Pittsburgh, and he really likes pancakes. Reach him at damon@verysmartbrothas.com. Or don’t. Whatever.

Our guest organization for the evening is Planned Parenthood of Western Pennsylvania.

The mission of Planned Parenthood of Western PA (PPWP) is to provide comprehensive and complementary health care to those in need of services; disseminate information about human sexuality and the need for family planning and responsible parenthood; and advocate public policies which guarantee these rights and ensure access to such services. https://www.plannedparenthood.org/planned-parenthood-western-pennsylvania

& here’s a Littsburgh interview w/ Meghan Tutolo, who put this one together.

10/26 Nancy Chen Long, Bob Walicki, & Angele Ellis @ City of Asylum

Posted in Events with tags , , , , , on September 28, 2017 by 6GPress

8PM THURSDAY, OCTOBER 26…

Join us for a poetry reading exploring themes of cultural and class identity.

The fluid nature of identity as it changes through time as well as through familial and societal influences,” as Indiana poet Nancy Chen Long defines her work, is a common thread linking her to Pittsburgh poets Angele Ellis and Robert Walicki. Chen Long—an engineer and the immigrant daughter of a Taiwanese mother and American father, Ellis—the activist grandchild of Arab immigrants, and Walicki—whose day job as a plumber brings him into direct conflict with common notions of masculinity, add new and brilliant strands to the tapestry of American poetry.

Featured writers:

Nancy Chen Long was born in Taipei to a Taiwanese mother and an American father, and came to the U.S. at age six. A 2017 National Endowment of the Arts Creative Writing fellow, her first book, Light into Bodies, won the 2016 Tampa Review Prize for Poetry. It touches on the fluid nature of identity as it changes through time as well as through familial and societal influences. Nancy has a bachelor’s degree in Electrical Engineering Technology, an MBA, and an MFA. She works in Research Technologies at Indiana University Her poetry has appeared in Ninth Letter, Crab Orchard Review, Zone 3, Briar Cliff Review, Alaska Quarterly Review, Not Like the Rest of Us: An Anthology of Contemporary Indiana Writers, and elsewhere

Robert Walicki is a native Pittsburgher who works as a plumber. His poetry chapbooks A Room Full of Trees (Red Bird, 2014) and The Almost Sound of Snow Falling (Night Ballet, 2016) reflect aspects of Pittsburgh’s rich working class history, and examine issues of personal and class identity. A Pushcart Prize and Best of the Net nominee, Robert’s poetry has appeared in Vox Populi, Stone Highway Review, The Kentucky Review, Red River Review, and elsewhere. The Almost Sound of Snow Falling was nominated to the 2016 list of books for Poets House, a 70,000-volume free library in New York City.

Angele Ellis is a longtime editor and activist whose first book of poems, Arab on Radar (Six Gallery, 2007), written from her perspective as an Arab American in the aftermath of 9/11, won an Individual Artist Fellowship from the Pennsylvania Council on the Arts. She also is author of Spared (A Main Street Rag Editors’ Choice Chapbook, 2011), and a tribute to her adopted city, Under the Kaufmann’s Clock: Fiction, Poems, and Photographs of Pittsburgh, with photos by Rebecca Clever (Six Gallery, 2016). Angele is co-author of Dealing With Differences (Corwin, 1997), an alternative curriculum named as a top multicultural classroom resource by The Christian Science Monitor, and is a contributing editor to Al Jadid: A Review & Record of Arab Culture and Arts.

9/24 Pittsburgh Zine Fair @ Union Project

Posted in Events with tags , , , , , , , on September 23, 2017 by 6GPress

2-8PM TODAY…

The Seventh Annual Pittsburgh Zine Fair (PZF) returns to the Union Project (801 N Negley Ave, Pittsburgh, PA 15206) on Sunday, September 24, from 2 – 8pm. This event is free and open to the public!

Exhibitors:
The Big Idea Bookstore, Inc, Toi Scott, Christina Lee, Lumpo Art, Em DeMarco & Banyan Ouldage, Evey in Orbit, Laura PallMall, Anna Strain, Nikita Zook, Yung Mulatto, Nate McDonough, Lizzy Nolin Designs, Jenna Houston, Braddock Hills High School Creative Writing Class, Graciela Sarabia, Sophia Pappas, Cecilia Ebitz, Manchester Bidwell Corporation, Assemble Girl’s Maker Night, Tess Wilson, Bill Wehmann, Lizzee Solomon Studios, Haunted Meat, Kyla Kemmerer, Evelyn Pandos, Aaron Regal, MARK, Alecia Ott, Teach the Free Man How to Praise, Laura Salgarolo, Cynthia Lee, Laughing Redhead Studio, Jimmy Riordan, Paul Peng, Jordan gg Chu, Hyacinth Girl Press, Vanessa Adams, Nsai Temko, Maggie Negrete, Joshua Rievel, Martel Edwell, Anna Shepperson, Jerome Charles & Max Gonzales, Adam & Fred, Tall Flower Studios (Aaron Hayes, Ua Hayes, Yona Harvey), Sienna Cittadino, Lily Fulop, Katie Krulock, Stephanie Tsong, Jayla Patton, Vagabond Comics, Ryan Elizabeth, DBQ (Alex Lukas & Leah Mackin), Theora Kvitka, Nginyu Ndimbie, negi.space (Asia Bey & Mont Tucker), Terese & Ana Jungle, Mihalkotron, David Watt, Frenemy Press, Seth LeDonne, Annesley Williams, Melissa Rogers, Jennifer Lisa, S & J Comics (Jamie Straw & Sara Cole), City Slicker Press, Hell Yeah Design, AIR: Artists Image Resource, Karen’s Book Row, Marina Fec, Lauren Bailey, Girls Rock! Pittsburgh, The Copacetic Comics Company, Nils Balls, Pittsburgh Comics Salon, Feminist Zine Fest Pittsburgh, Black Unicorn: Library and Archives Project, Steely Gayze, Cowboy House
___________________________

As part of RADical Days, Union Project’s Hands-on Ceramics Workshop runs from 2-5 pm during the Pittsburgh Zine Fair.

Explore words and language while creating with clay in a free, all-ages, drop-in workshop in the ceramics studio before or after you check out locally-created zines, comics, and chapbooks at the 7th Annual Pittsburgh Zine Fair.

___________________________

Since its debut at AIR: Artists Image Resource in 2011, the PZF has attracted a diverse group of artists, writers and activists from across the region whose content may vary but the format remains the same- the zine. An icon of DIY ethos and radical info sharing, the zine decentralizes media and vaults individual expression while remaining inexpensive.

Karen Lillis says,

It’s that time of year again, the Seventh Annual Pittsburgh Zine Fair is tomorrow, Sunday afternoon, September 24th. Over sixty (60+) vendors will pop up at the Union Project in Highland Park/Pittsburgh, and I’ll be there with zines, micro press, and small press literature selections. I’m also recreating last year’s success, the Memoir Table. Please come browse! There are so many cool artists, writers, librarians, & booksellers to take in. This vibrant event is free and includes FOOD TRUCKS.